In keeping with its commitment to providing a platform for art that engages the critical issues of our time, Wrightwood 659 presents Shahidul Alam: We Shall Defy, an important exhibition of images and texts that illuminate the life and work of the renowned Bangladeshi photojournalist, teacher, writer, institution-builder, and activist Shahidul Alam, whose efforts on behalf of human rights have provoked both accolades and imprisonment.
Photographer, writer, and human rights activist Shahidul Alam has been a long-time campaigner for social justice and has also challenged the global dominance of white western media. Alam’s resistance has been through his art and his activism, but also through the institutions he has built.
This has often led to confrontation with the powerful elite of his native Bangladesh. Over the last three decades, he has had a loaded gun pointed at his head and been stabbed. On 5th August 2018, after a critical interview on Al Jazeera, he was picked up by Bangladeshi security forces, blindfolded, handcuffed and tortured and eventually spent 107 days in incarceration.
After a global campaign for his release by more than a dozen Nobel laureates and world personalities, he was released on bail but still faces up to 14 years of imprisonment if convicted. He continues to resist.
We Shall Defy includes photographs by Alam and his community of artists and activists, as well as illustrations, verse, and more by three additional artists: Amal Akash, a singer-songwriter and visual and performance artist based in Dhaka; Alam’s niece Sofia Karim, an architect and visual artist in London; and New York-based filmmaker, writer, photographer, and installation artist Naeem Mohaiemen and the King Kortobbyo team. Together, their work explores the turbulent path that Alam and his team have navigated in their struggle to achieve justice and equity.
The primary focus of the exhibition is a series of nine large banners that are inspired by an ancient form of Bangla art—Patachitara, cloth scrolls containing detailed depictions of mythical narratives. The banners in the exhibition are printed with photographs by Alam and 14 artists, thereby integrating the contemporary and ancient methods of storytelling while expanding on the turbulent experiences of the Bangladeshi people. Panels containing verse with illustrations by Amal Akash and texts by Alam bring context to each banner.
Occupying about 80 feet of wall space, the banners will shed light on a variety of subjects, from migration, to sex workers (with an image of a former sex worker who used her savings to establish an orphanage for children of other sex workers), to the lives of indigenous people in the Chittagong Hill Tracts, the disappearance of indigenous leader Kalpana Chakma, effectuated by the Bangladesh military, and the photography-based institutions that Alam has created, among other topics.
Elsewhere in the exhibition, a 23-foot wall contains an illustration board with texts and sketches by Sofia Karim that represent Alam’s life in the Keraniganj jail, and a multi-media timeline by Naeem Mohaiemen and the King Kortobbyo team that elaborates on the history of photography as a tool for activism.
About Wrightwood 659
Wrightwood 659 is a private, non-collecting institution devoted to socially engaged art and to architecture. Located at 659 W. Wrightwood Avenue, in Chicago’s Lincoln Park neighborhood, the intimate space officially opened on October 10, 2018, and presents two public exhibitions annually. Wrightwood 659 was designed by Pritzker Prize-winning architect Tadao Ando, who transformed the interior of a 1920s building with his signature concrete forms and poetic treatment of natural light.
Hours of Operation
Fridays, 12noon – 7:00pm
Saturdays, 10am – 5:00pm
Tickets for the exhibition are $15 and available online only, through November 27, at tickets.wrightwood659.org/events.
Please note, admission is by advance ticket only. Walk-ups are not permitted.