Father Francis Browne photographs

Featuring dramatic scenes from the early 20th century, from the front lines of World War I, to images aboard the RMS Titanic and moments from everyday Irish life, the Raclin Murphy Museum of Art at the University of Notre Dame presents “Through the Lens of Father Francis Browne, S.J.: The Photographic Adventures of an Irish Priest.” On view August 27 through December 1, 2024, the exhibition shines a light on one of the most recognized Irish photographers of his generation through more than 100 works that have been recently added to the Museum’s permanent collection.

The presentation is the first major solo exhibition in the United States to feature Father Browne’s artwork.

The youngest of eight children, Francis Mary Hegarty Browne (1880-1960) was born into an affluent family in Cork, Ireland. His mother perished eight days following his birth. Browne later became the ward of his uncle Robert Brown, Bishop of Cloyne, after his father died in a swimming accident. His love of photography was inspired in part by this same uncle who gifted Browne his first camera upon graduation from secondary school.  

Following a trip across Europe where Browne tested his camera for the first time, he joined the Jesuits in 1897 and entered the novitiate at St. Stanislaus College. His long preparation for the Jesuit priesthood continued with studies at the Royal University of Ireland in Dublin, where he was acquainted with fellow student James Joyce. Browne completed his Bachelor of Arts degree in 1902 and went on to the Jesuit philosophate at Chieri, near Turin, Italy.

After three years he returned to Dublin and his Regency, the next stage of Jesuit preparation, teaching middle school at the College of St. Francis Xavier.

In April 1912, Browne received a gift of a ticket for the maiden voyage of the largest ship in the world, the RMS Titanic. He took his camera along on the journey from Southampton, England, to Cherbourg, France, then to Cobh, County Cork, capturing images as he explored the ship. Browne disembarked in Ireland before the Titanic sailed on to disaster in the North Atlantic and his images became the only surviving photographs of the vessel at sea. His documentation of the liner, its passengers and crew appeared in newspapers and magazines worldwide.

“’Through the Lens of Father Francis Brown, S.J.’ recalls the arc of Father Browne’s career as both an artist and a priest,” David Acton, curator of photographs at the Raclin Murphy Museum of Art, said. “His role in the clergy provided him the opportunity to witness some of his country’s most memorable events of the era, with camera in hand. Father Browne’s photographs reveal a unique perspective from these fascinating moments in history.”

After his ordination in 1915, Browne became a chaplain in the Irish Guards. He worked in France and Flanders for the entirety of World War I and was allowed to carry his camera with him. Often on the front lines ministering to the wounded and the dead, he was wounded five times. After the war, the Church sent Browne to Australia to recuperate from the effects of poison gas. He photographed his travels to the other side of the world and back to Ireland.

Father Francis Browne, S.J. (Irish, 1880-1960), “Going Over the Top at Ploegsteert, Hainault, Belgium, August 1917.” Gelatin silver print10 ²³/₆₄ x 15 ³⁵/₆₄ in. (26.3 x 39.5 cm)
Father Francis Browne, S.J. (Irish, 1880-1960), “Going Over the Top at Ploegsteert, Hainault, Belgium, August 1917.” Gelatin silver print10 ²³/₆₄ x 15 ³⁵/₆₄ in. (26.3 x 39.5 cm) © Fr Browne SJ Collection / Davison & Associates Ltd; Milly and Fritz Kaeser Endowment for Photography 2024.001.084

Browne took up the post of Superior of Saint Francis Xavier Church in Dublin in 1925. Over the balance of his career, he traveled extensively in Ireland and England to preach at Jesuit gatherings, missions and retreats.

“Father Browne pursued his avocation of photography as life rapidly changed across Ireland. His photographs demonstrate his interest in history and modern innovation as well as his love for children and the Irish people,” Joseph Antenucci Becherer, director of the Raclin Murphy Museum of Art, said. “The exhibition not only offers a glimpse into dramatic world events of the early 20th century but presents Irish culture through a lens that exemplifies clergy’s involvement with visual art throughout history.”

The photographs by Father Browne join the Raclin Murphy Museum of Art’s growing collection of more than 30,000 works, presented in the recently opened new building designed by Robert A.M. Stern Architects (RAMSA). The 70,000-square-foot facility opened on December 1, 2023 and serves as a dramatic gateway to Notre Dame. The expanded home for the University’s robust art collections honors both tradition and innovation through its beautifully proportioned galleries, contemporary artist commissions and exterior that harmonizes with historic buildings on campus.

About the Raclin Murphy Museum of Art

With origins dating to 1875, the Raclin Murphy Museum of Art (formerly Snite Museum of Art) is one of the oldest and most highly regarded university art museums in America. Founded on the principle that art is essential to understanding individual, shared and diverse human experiences and beliefs, the Museum encourages close looking and critical thinking.

Experiences with significant, original works of art are intended to stimulate inquiry, dialogue and wonder for audiences across the academy, the community and around the world—all in support of the University of Notre Dame’s Catholic mission. The renowned permanent collection contains more than 30,000 works that represent many cultures and periods of world art history. For more information, visit raclinmurphymuseum.nd.edu.

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