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Cleveland Museum of Art adds works by Amy Sherald, Barbara Jones-Hogu, Wadsworth Jarrell

By Chadd ScottPosted on March 29, 20210 Comments
Handsome, 2020. Amy Sherald (American, b. 1973). Color screenprint; 102.2 x 81.3 cm; sheet 114.9 x 94 cm. The Cleveland Museum of Art, Gift of the Print Club of Cleveland
Handsome, 2020. Amy Sherald (American, b. 1973). Color screenprint; 102.2 x 81.3 cm; sheet 114.9 x 94 cm. The Cleveland Museum of Art, Gift of the Print Club of Cleveland

I first came across the work of AfriCOBRA artists writing about them in 2018. I was BLOWN AWAY! The color, the power, the energy, the message, the pride. Everything about the visual aesthetic and promotion of Black power the artists had engaged with resonated with me. I was greatly excited to see the artwork of two AfriCOBRA artists, Barbara Jones-Hogu and Wadsworth Jarrell, in addition to the incomparable Amy Sherald, recently acquired by the Cleveland Museum of Art to add to its permanent collection.

About AfriCOBRA

Barbara Jones-Hogu and Wadsworth Jarrell were founding members of AfriCOBRA (African Commune of Bad Relevant Artists), a Chicago-based collective founded in 1969 to forge a distinctly Black mode of contemporary art. The group aligned themselves with the Black Power movement of the period and drew inspiration from African art and culture with the goal of promoting racial pride and greater social equity.

The artists belonging to AfriCOBRA favored printmaking, which they saw as a fundamentally democratic means to share their message.

Barbara Jones-Hogu Unite is among the group’s most recognizable images. The screenprint features a crowd of figures with fists raised in the Black Power salute with their hair styled in Afros to signify Black pride. Jones-Hogu was inspired by two Black athletes who raised their fists during the 1969 Olympics, and she recognized the potential of the powerful gesture to unify. Unite became one of AfriCOBRA’s most iconic images and ultimately Jones-Hogu’s most famous work of art.

The CMA has acquired Unite as well as Untitled (Land Where My Father Died), an earlier screenprint by Jones-Hogu that referenced protests taking place on Chicago’s historically Black south side at the time of the Civil Rights Movement.

AFRICOBRA: Messages to the People

Wadsworth Jarrell’s screenprint Revolutionary is considered among the most important images associated with AfriCOBRA’s printmaking output and one of the artist’s most iconic compositions. Revolutionary reinterprets a 1971 painting (now at the Brooklyn Museum) depicting activist Angela Davis, based on a widely circulated photograph of her delivering a speech in 1970. Davis is represented in the artist’s signature vibrant palette surrounded by words that she used in her speech, such as “revolution,” “black is beautiful,” and “resist.”

The monumentality of the print, in which Davis’s figure dominates the composition, demonstrated Jarrell’s desire to “capture the majestic charm, seriousness, and leadership of an astute drum major for freedom.”

The AfriCOBRA artists produced many of the most positive depictions of African American people and culture to date.

AFRICOBRA: Experimental Art toward a School of Thought (Art History Publication Initiative)

Amy Sherald

Amy Sherald’s fame is getting to the point where no introduction of her is needed. She created the official portrait of First Lady Michelle Obama and the powerful image of Breonna Taylor which appeared on the cover of “Vanity Fair” magazine. She is known for her distinctive style of portraiture, which she uses to explore the African American experience.

Her portraits depict Black figures, often wearing bright or distinctive clothing, but with their skin tone rendered in grisaille. The absence of color invites the viewer to consider identity and color as signifiers, and the direct, assertive, and neutral gazes of her sitters encourage them to be seen as individuals.

Sherald’s first print, Handsome, reinterprets a 2019 painting of the same title that depicts Jamar Roberts, a dancer for the Alvin Ailey American Dance Theater, formed in 1958 to combine modern dance with Black culture. Handsome will be featured in an upcoming exhibition at the CMA scheduled for spring 2022, Women Now, that focuses on contemporary women printmakers.

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AfriCOBRAAmy SheraldBarbara Jones-HoguWadsworth Jarrell
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There rare post that combines two of my passions: There rare post that combines two of my passions: art and native plants.

@stormkingartcenter presents a site-specific installation of @rashidjohnson 2019 sculptural work ‘The Crisis,’ on view through November 8, 2021.
 
The installation will mark the first US presentation of the artwork, which the artist has adapted to respond directly to Storm King’s native landscape.
 
Rashid Johnson (b. 1977) draws inspiration from combining architectural and organic elements, intending for ‘The Crisis’ to capture the tension of the moment in which nature has just begun to reclaim a human-made structure. Originally planned to be shown at Storm King in 2020, ‘The Crisis’ has taken on a striking new relevance in this time of reflection.
 
Nora Lawrence, Storm King Senior Curator, commented, “What I love most about working at Storm King is being able to present art in a way no other place can. I am looking forward to watching ‘The Crisis’ change as the grasses grow up and into it and the seasons shift. In collaboration with Rashid, we were able to place ‘The Crisis’ in a central location on-site where visitors can view it both from above and from a closer vantage point. These various physical approaches invite the multiplicity of interpretations that Rashid intends for this work and allow space for visitors to contemplate the striking new relevance that The Crisis has taken on in today’s moment.”
 
The work—a sixteen-foot-tall, yellow pyramidal steel structure—is set within a field of native grasses, which Storm King has worked to reintroduce to its landscape and cultivate over the last 25 years. Over the course of the presentation, these grasses will grow up within and around the geometric frame, integrating it into the very fabric of Storm King.
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